{"id":482,"date":"2011-07-20T11:47:53","date_gmt":"2011-07-20T08:47:53","guid":{"rendered":"http:\/\/www.valonkuvia.fi\/blogi\/?p=482"},"modified":"2023-03-30T10:12:41","modified_gmt":"2023-03-30T07:12:41","slug":"after-chomaklou-was-a-desert","status":"publish","type":"post","link":"https:\/\/www.valonkuvia.fi\/blogi\/after-chomaklou-was-a-desert\/","title":{"rendered":"Gregg Bendian: After Chomaklou Was a Desert"},"content":{"rendered":"\n<p>Serafim Sepp\u00e4l\u00e4n vastik\u00e4\u00e4n ilmestynyt kirja &#8221;<em>Armenian kansanmurhan perint\u00f6<\/em>&#8221; (Like) k\u00e4sittelee yhdell\u00e4 sivulla jazzia otsikkolla Kansanmurhajazzia. Kyseess\u00e4 on rumpali, s\u00e4velt\u00e4j\u00e4 Gregg Bendianin teos &#8221;<em>After Chomaklou Was a Desert (Threnody To The Victims of The Armenian Genocide)<\/em>&#8221;. Reilut viistoista minuuttia kest\u00e4v\u00e4 s\u00e4vellys l\u00f6ytyy Bendianin levylt\u00e4 &#8221;Counterparts&#8221; (CIMP, 1996).<\/p>\n\n\n\n<p>S\u00e4vellyksen nimi viittaa Kesarean alueella Turkissa sijainneeseen armenialaiseen Chomakloun kyl\u00e4\u00e4n, jonne Bendianin sukujuuret johtavat. Kyl\u00e4n armenialaisv\u00e4est\u00f6 tuhottiin kansanmurhassa vuonna 1915. &#8221;After Chomaklou Was a Desert&#8221; on hapuilevan hajanainen, hiljainen valitusvirsi; varsin abstarkti, kokonaan vailla svengin tuomaa rytmist\u00e4 iloa ja helpotusta. Levyn muu sis\u00e4lt\u00f6 on yht\u00e4 lailla vahvaa nykyjazzia, mukana on paljon improvisaatiota, svengi\u00e4kin.<\/p>\n\n\n\n<p>Vaikka levy on julkaistu jo vuonna 1996, onnistuin l\u00f6yt\u00e4m\u00e4\u00e4n levyst\u00e4 hyv\u00e4kuntoisen k\u00e4ytetyn kappaleen Amazonin kautta. Levyll\u00e4 soittavat Bendianin lis\u00e4ksi trumpetisti Paul Smoker, saksofonisti Vinny Golia ja basisti Mark Dresser.<\/p>\n\n\n\n<p>Sepp\u00e4l\u00e4n kirja kannattaa sekin lukea. Se on p\u00e4tev\u00e4 johdatus kansanmurhan kaltaisen totaalisen tuhon viel\u00e4 nyky\u00e4\u00e4nkin n\u00e4kyviin vaikutuksiin armenialaisessa kulttuurissa.<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter is-style-default\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"200\" height=\"196\" src=\"https:\/\/i0.wp.com\/www.valonkuvia.fi\/blogi\/wp-content\/uploads\/2011\/07\/Chomaklou.jpg?resize=200%2C196\" alt=\"\" class=\"wp-image-485\" title=\"Gregg Bendian Project: After Chomaklou Was a Desert (Threnody To The Victims of The Armenian Genocide)\"\/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Serafim Sepp\u00e4l\u00e4n vastik\u00e4\u00e4n ilmestynyt kirja &#8221;Armenian kansanmurhan perint\u00f6&#8221; (Like) k\u00e4sittelee yhdell\u00e4 sivulla jazzia otsikkolla Kansanmurhajazzia. Kyseess\u00e4 on rumpali, s\u00e4velt\u00e4j\u00e4 Gregg Bendianin teos &#8221;After Chomaklou Was a Desert (Threnody To The Victims of The Armenian Genocide)&#8221;. Reilut viistoista minuuttia kest\u00e4v\u00e4 s\u00e4vellys l\u00f6ytyy Bendianin levylt\u00e4 &#8221;Counterparts&#8221; (CIMP, 1996). S\u00e4vellyksen nimi viittaa Kesarean alueella Turkissa sijainneeseen armenialaiseen Chomakloun [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":485,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[3,16],"tags":[20,60,189,13,40],"class_list":["post-482","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-jazz","category-kirjat-2","tag-amerikkalainen-jazz","tag-armenia-2","tag-armenian-kansanmurha","tag-jazzlevyt-2","tag-rummut"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/www.valonkuvia.fi\/blogi\/wp-content\/uploads\/2011\/07\/Chomaklou.jpg?fit=200%2C196&ssl=1","jetpack_likes_enabled":false,"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.valonkuvia.fi\/blogi\/wp-json\/wp\/v2\/posts\/482","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.valonkuvia.fi\/blogi\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.valonkuvia.fi\/blogi\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.valonkuvia.fi\/blogi\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.valonkuvia.fi\/blogi\/wp-json\/wp\/v2\/comments?post=482"}],"version-history":[{"count":23,"href":"https:\/\/www.valonkuvia.fi\/blogi\/wp-json\/wp\/v2\/posts\/482\/revisions"}],"predecessor-version":[{"id":22313,"href":"https:\/\/www.valonkuvia.fi\/blogi\/wp-json\/wp\/v2\/posts\/482\/revisions\/22313"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.valonkuvia.fi\/blogi\/wp-json\/wp\/v2\/media\/485"}],"wp:attachment":[{"href":"https:\/\/www.valonkuvia.fi\/blogi\/wp-json\/wp\/v2\/media?parent=482"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.valonkuvia.fi\/blogi\/wp-json\/wp\/v2\/categories?post=482"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.valonkuvia.fi\/blogi\/wp-json\/wp\/v2\/tags?post=482"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}